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作 者:姚明今[1] 赵力瑶 YAO Ming-jin;ZHAO Li-yao(School of Humanities And Social Science,Xi’an Jiaotong University,Xi’an 710049,China)
出 处:《湖北师范大学学报(哲学社会科学版)》2020年第6期10-16,共7页Journal of Hubei Normal University(Philosophy and Social Science)
摘 要:以往的文体研究总是笼统地以文史不分来概括中国文学的特点,这样以来固然揭示了中国文学的某些特征,但也部分掩盖了史传文体在向文学发展过程中的许多细微变化。根据我们的研究,从春秋战国时期散文文体由记事记言体向文学的转变,总体上取决于这样四个方面的原因:叙事性的不断强化,诗的使用,巫术的功能以及审美性的需要。上述缘故,不仅决定了中国叙事文学的美学特征,也对中国文化的特征产生了深远影响。In the past,stylistic studies have generally summarized the characteristics of Chinese literature in terms of literature,history,and philosophy,which has revealed certain characteristics of Chinese literature,but it has also partially concealed many subtleties in the development of literary history.According to our research,the transformation of the prose style from the memoir to the literature during the Spring and Autumn and Warring States period generally depends on four reasons:the continuous strengthening of narrative,the use of poetry,the function of witchcraft,and aesthetic needs.To some extent,this not only determines the aesthetic characteristics of Chinese narrative literature,but also has a profound impact on the characteristics of Chinese culture.
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