新时代背景下看“八桂书风”的传承与出新——广西书法文化、地域生态简论兼第九届广西铜鼓奖书法项目获奖作品评述  

On the Inheritance and Development of“Unique Calligraphy Style in Bagui”in the New Era:On Guangxi Calligraphy Culture,Regional Ecology and the Calligraphy-Ward-Winning Works in the 9^th Guangxi Bronze Drum Award

作　　者：李方重 LI Fang-zhong(College of Humanities,Guangxi Arts University,Nanning Guangxi 530022)

机构地区：[1]广西艺术学院人文学院,广西南宁530022

出　　处：《贺州学院学报》2020年第3期113-116,共4页Journal of Hezhou University

摘　　要：2019年9月“第九届广西文艺创作铜鼓奖”公布,其中韦渊、黄河、唐明三位作者获得书法项目铜鼓奖。他们的作品集中展现出“八桂书风”在新时代文艺大背景下传承和创新。文章以广西书坛在不同历史时空中的发展为主线,以赏析三位铜鼓奖书作为契机,尝试从五个方面简要概述广西书法的地域性、本土性、民族性、包容性及传承性。重点探讨广西新生代书法艺术风格“八桂书风”在创作形式上的推陈出新,在创作风格上的固本培元。综合呈现“八桂书风”在新时代背景下思想、文化、艺术的大发展、大交流、大融合的现象,体现广西文化传统、民族风貌、书法艺术的生命力、凝聚力、向心力。The 9th Guangxi Bronze Drum Award for Literary and Artistic Creation was announced in September 2019,in which Wei Yuan,Huang He and Tang Ming won the bronze drum award for calligraphy project.Their works focus on the inheritance and innovation of the“Unique Calligraphy Style in Bagui”in the new era of literature and art background.Based upon the history of Guangxi calligraphy in the award-winning works mentioned above,the article attempts to briefly summarize the regionality,nativeness,ethnicness,inclusiveness and inheritance of Guangxi calligraphy.Focusing on two aspect of Guangxi’s new generation calligraphy style“Unique Calligraphy Style in Bagui”:its innovation in creative form and its solid foundation in its creative style,the article probes into the great development,great exchange and great integration of ideas,culture and art within“Unique Calligraphy Style in Bagui”in the New Era,discussing the cultural tradition,ethnic style of Guangxi,the vitality,cohesion and centripetal force of calligraphy art in Guangxi.

关 键 词：新时代 铜鼓奖 “八桂书风” 

分 类 号：J292.1[艺术—美术]