陶瓷鱼纹装饰的起源与构图方式研究  

Study on the origin and composition of ceramic fish pattern decoration

作　　者：朱建波 Zhu Jianbo(shuizhiqingyu Culure Communication Co.,Ltd,Jingdezhen,333000)

机构地区：[1]水至清鱼文化传播有限公司,景德镇333000

出　　处：《陶瓷研究》2020年第5期42-44,共3页Ceramic Studies

摘　　要：早在新石器时期,鱼纹就作为一种吉祥的装饰题材装饰于陶器之上。几千年间,伴随着时代的发展,被赋予美好寓意的鱼纹装饰,用其鲜明的艺术风格以及装饰形式散发着独特的魅力,并且这种纹饰一直活跃到了今天。随着古代政局的不稳定,各个时代经济水平也层次不齐,人们的文化诉求以及发展态势也会时常发生变化。但是大众在满足物质生活的前提下,对精神生活的富足向往确是非常强烈的,这便催生出了绘画方向上的“图必有意、意必吉祥”的说法。鱼纹装饰也正是伴随着这样的环境下,成为了艺术家炙手可热的装饰题材。本文将对陶瓷鱼纹装饰进行系统分析,从其发展的起源入手,对鱼纹的寓意、象征、符号进行分析,再从其各个经典的构图方式进行纵向的分析,以期对日后想要学习创作鱼纹装饰的艺术家起到借鉴作用。as early as the Neolithic period,fish pattern was decorated on pottery as a kind of auspicious decoration theme.For thousands of years,along with the development of the times,the fish pattern decoration,which is endowed with beautiful implication,has a unique charm with its distinctive artistic style and decorative form,and this kind of decoration has been active till today.With the instability of the ancient political situation,the economic level of each era is uneven,and people’s cultural demands and development trend will change from time to time.However,on the premise of satisfying the material life,the public yearn for the spiritual life is very strong,which leads to the saying that "the picture must be intentional,the meaning must be auspicious".Fish pattern decoration is also accompanied by such an environment,has become a hot decorative theme for artists.This paper will systematically analyze the ceramic fish pattern decoration,starting from the origin of its development,analyze the implication,symbol and symbol of the fish pattern,and then conduct a longitudinal analysis from its various classic composition methods,in order to provide reference for artists who want to learn to create fish pattern decoration in the future.

关 键 词：陶瓷 鱼纹 构图 装饰 

分 类 号：J527[艺术—艺术设计]