俄罗斯钢琴二重奏的创作历程分析  

Creation Process and Characteristics of Russian Piano Duet

作　　者：李妍[1] LI Yan(College of Art,Jilin University,Changchun 130024,China)

机构地区：[1]吉林大学艺术学院,吉林长春130024

出　　处：《通化师范学院学报》2020年第11期66-71,共6页Journal of Tonghua Normal University

基　　金：吉林大学哲学社会科学横向科研项目C类(2018(396))。

摘　　要：俄罗斯钢琴二重奏创作是在西欧传统流派影响下形成的,其以民族音乐为素材,极力表达自身民族内涵。19世纪下半叶,俄罗斯钢琴二重奏的创作集中在改编序曲、歌剧选段和交响曲方面,舞曲、民歌、复调、奏鸣曲类的作品也逐渐进入作曲家们的创作视野。俄罗斯“音乐之父”格林卡创作的钢琴二重奏在表达手法上严格精确,简单朴实,旋律自然率真,具有鲜明的民族风格特征。拉赫玛尼诺夫则运用完善的创作技法、音乐形象、戏剧性和深刻乐思,将俄罗斯民间音乐在钢琴二重奏创作中发挥到极致,完成了《六首钢琴小品》(Op.11)、《意大利波尔卡》等经典作品,为钢琴二重奏的发展作出卓越贡献。The creation of Russian piano duet is a creation principle formed under the influence of western European traditional schools.At the same time,it also tries its best to express its national connotation and creates with folk music as the material.In the second half of the 19th century,the creation of Russian piano duets focused on the adaptation of overtures,opera excerpts and symphonies,and the works of dance,folk songs,polyphony and sonatas also gradually entered the creative vision of composers.The piano duet created by Glinka,the"father of music"in Russia,is strict and precise in expression,simple and plain,with natural and straightforward melody and distinctive national style characteristics.Rakhmaninov,on the other hand,made great contributions to the development of the piano duet with his perfect creation techniques,musical images,drama and profound thoughts,and brought Russian folk music to the extreme in piano duet creation.He completed Six Piano Opusculums(Op.11),Italian Polka and other classic works,making outstanding contributions to piano duet development.

关 键 词：俄罗斯 钢琴二重奏 创作历程 

分 类 号：J642[艺术—音乐]