试论顾生岳工笔人物画中的敦煌元素  

On Dunhuang Elements in Gu Shengyue’s Meticulous Figure Paintings

作　　者：刘磊 LIU Lei(School of Art,Shaoxing University,Shaoxing,Zhejiang 312000)

机构地区：[1]绍兴文理学院艺术学院,浙江绍兴312000

出　　处：《绍兴文理学院学报》2020年第11期26-33,共8页Journal of Shaoxing University

摘　　要：“浙派人物画”代表人物之一的顾生岳先生通过对敦煌壁画的学习和研究,探索出西方素描造型体系与中国传统笔墨绘画相融合的创作道路,进而奠定了他在当代中国人物画坛的地位。在顾生岳于20世纪80年代以后创作的工笔人物画中,可以看到他一方面吸收并借鉴敦煌壁画上的人物造型特点和绘画风格,另一方面直接将敦煌壁画中的某些元素移植在他的人物画当中并加以改造和创新,使历经千年的敦煌古代壁画成功融入现代工笔人物画的创作当中。Gu Shengyue,one of the leading figures in the Zhejiang School of Figure Painting,explores the convergent creative method of the western sketch painting and Chinese painting,hence his position in the contemporary Chinese character painting.In the meticulous figure paintings by Gu Shengyue in the 1980s,it can be seen that he absorbs the character shapes and painting style of Dunhuang murals on the one hand,and directly transplants some materials from Dunhuang murals to his own works on the other hand,thus transforming and innovating the figure paintings.His paintings have successfully incorporated ancient Dunhuang murals into the creation of modern meticulous figure paintings.

关 键 词：顾生岳 工笔 人物画 敦煌 融合 创新 

分 类 号：J232.9[艺术—美术]