观看与消费:新媒体纪录片的泛底层化叙事  

Seeing and Consumption:The Pan-substratum Narration of New Media Documentaries

作　　者：高志彬 GAO Zhibin(School of Journalism and Communication, Sichuan International Studies University, Chongqing 400031, China)

机构地区：[1]四川外国语大学新闻传播学院,重庆400031

出　　处：《重庆交通大学学报（社会科学版）》2020年第6期98-102,共5页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：四川外国语大学校级科研项目“新媒体影视作品对阶层身份固化现象研究”(sisu2019041)。

摘　　要：新媒体纪录片的传播媒介是互联网的,有别于电影、电视的传统传播媒介。在制播的层面上,新媒体纪录片与传统纪录片尤其是独立纪录片的创作主体联系紧密,在关怀的阶层上也有一定的重合,即对社会底层与都市边缘空间的关注。通过梳理和逻辑分析新媒体纪录片、传统纪录片与底层社会的关系,例证新媒体纪录片泛底层化的娱乐特征与高度商业化的审美形态。The medium of new media documentaries is the Internet,which is different from the traditional medium of movies and television.At the level of production and broadcasting,new media documentaries are closely related to the creation of traditional documentaries,especially independent documentaries.And there is a certain overlap in the caring stratum,namely,they pay attention to the social bottom and urban fringe space.By sorting out and logically analyzing the relationship between new media documentaries,independent documentaries and the bottom social relationship and the bottom society,this paper exemplifies the entertainment characteristics of the new media documentaries and the aesthetic form of high commercialization.

关 键 词：新媒体纪录片 新纪录运动 底层关怀 泛娱乐化 

分 类 号：J952[艺术—电影电视艺术]