上海文明的“开”与“合”——王安忆的《匿名》和《考工记》  

On Wang Anyi’s Novels Anonymity and Kao Gong Ji

作　　者：陈力君[1] CHEN Li-jun(School of Humanities,Zhejiang University,Hangzhou 310028,China)

机构地区：[1]浙江大学人文学院,浙江杭州310028

出　　处：《海南师范大学学报（社会科学版）》2020年第6期11-18,共8页Journal of Hainan Normal University(Social Sciences)

摘　　要：王安忆长篇小说《匿名》和《考工记》讲述了上海文化培育的城市男性离家和守家的特殊的人生经历。小说人物分别通过被抛到蛮荒、原始的野外生活和主动隐匿在沪上老宅子里形成了隔绝的人生之境,又以“路上的人”和“门外的人”联通成为打开世界和联系世界的方式。两个人物的人生经历中所展示的上海文明的一“开”一“合”,在不同生存环境都经历了物的“对象化”过程,形成不同的“物象化”情景,以非物欲的态度探寻着物性中的人性限度,造就了王安忆笔下的新沪上传奇。Anonymity and Kao Gong Ji narrate the special life experience of urban men who,nourished by Shanghai culture,have left home and stayed at home.Through thrown into the wild and primitive wild life as well as actively hiding in the old house in Shanghai respectively,the isolated life of the two characters is formed,and the way of opening up and connecting the world is conducted by way of“people on the road”and“people outside the door”.The“opening”and“closing”of Shanghai civilization shown in their respective life experiences have undergone the process of“objectification”of objects in different living environments,forming different“materialized”scenes,and exploring the limits of humanity in physical properties with a non-materialistic attitude,thus creating Wang Anyi’s legend of Shanghai.

关 键 词：《匿名》 《考工记》 上海文明 物性 非物性 

分 类 号：I206.7[文学—中国文学]