故宫博物院藏建筑装修用玻璃画再探讨  

A More Study of the Palace Museum Collected Glass Picture for Architectural Ornament

作　　者：张淑娴[1] 徐超英[1] Zhang Shuxian;Xu Chaoying

机构地区：[1]故宫博物院古建部

出　　处：《故宫博物院院刊》2020年第10期149-165,346,共18页Palace Museum Journal

基　　金：故宫博物院科研基金;法国国家科学研究中心东亚文化研究中心的基金支持。

摘　　要：玻璃画是一种由西洋传入的工艺种类,可作建筑装饰之用。故宫博物院古建部保存了一批(103块)规格和装裱相同的玻璃画,作者通过大量的档案爬梳、实物分析,并借鉴科学成分检测结果,认定其最初为乾隆朝用在为宴请蒙古贵族而临时搭建在紫禁城内的"玻璃蒙古包"上,装饰位置为蒙古包的窗户和槅扇门上,此项研究解决了一个长期悬而未决的问题。The reverse painting on glass introduced from the Europe in the 18th century as the artistic ornament applied to the palatial buildings employs a unique technique.By historical texts and physical objects as well as the scientific test,these 103 pieces of Qing Court collected glass paintings of the same size as their framed works were first used to decorate the ’Glass Ger’,which was a temporary construction inside the Forbidden City to receive the Mongolian aristocrats during the Qianlong(乾隆) perio d.Specifically,they were fixed to the windows and partition doors,thereby the long-standing puzzles about the function of the glass paintings have been worked out consequently.

关 键 词：玻璃画 玻璃蒙古包 槅扇门 窗户眼 

分 类 号：K879.4[历史地理—考古学及博物馆学]