开卷如亲书兴豪——乾隆皇帝对苏轼书法的临学  

Pleasing and Enlightening:Emperor Qianlong’s Appreciation and Calligraphy Practice after Su Shi’s Works as the Model

作　　者：王亦旻[1] Wang Yimin

机构地区：[1]故宫博物院书画部

出　　处：《故宫博物院院刊》2020年第10期263-281,349,共20页Palace Museum Journal

摘　　要：临写苏轼书法作品是乾隆书法学习的重要组成部分,同时也是他全面感知苏轼人文思想的重要途径。清宫旧藏苏轼书法墨迹绝大多数是乾隆在位时入藏内府的,乾隆不仅进行鉴藏和刻帖,还反复临写,并将临写范围扩大到前人刻帖中的苏轼书迹。这些临书之作多保存于故宫博物院,整理研读这些书法习作,有助于我们了解一个痴迷书法艺术并深受苏轼书学思想影响的乾隆皇帝。Emperor Qianlong(乾隆),who collected the largest number of Su Shi’s masterpieces into the Qing court under his governance,was entering Su Shi’s spiritual world of humanities while appreciating and writing after his works as the model.Emperor Qianlong(乾隆) practiced identifying and collecting,carving and writing,and even learned copying Su Shi’s earlier inscriptions engraved by other people.Emperor Qianlong’s(乾隆) copied works are mostly housed in the Palace Museum,which are of significantly value to understand the emperor who was so drawn and deeply influenced by Su Shi’s philosophy on calligraphy.

关 键 词：苏轼书法 乾隆临帖 学书思想 

分 类 号：J292.1[艺术—美术]