“江南水乡古镇”题材纪录片叙事策略探析  

Research on the Narrative Strategy of Documentary Film about "Jiangnan Water Towns"

作　　者：周瑶 Zhou Yao

机构地区：[1]苏州广播电视总台,江苏苏州215028

出　　处：《传媒观察》2020年第11期44-50,共7页Media Observer

基　　金：姑苏宣传文化人才资助项目“江南古镇文化的田野调查和微纪录研究”(XW2018013);国家社科基金项目“交往理论视阈下的城市公共艺术传播研究”(18BXW091)的阶段性成果。

摘　　要：江南水乡古镇拥有丰富灿烂的文明遗存和文化遗珍,是纪录片创作的富矿。本文结合自身实践经验,主要从电视叙事学角度,为"江南水乡古镇"题材纪录片创作探索叙事策略上的创新。江南水乡古镇是一个复杂有机的整体,陌生化的内容述求,需要极致性的材料支撑,依赖于田野考察下的叙事素材采集,江南水乡古镇被列入世界文化遗产预备清单,为创作提供了重要理论支撑和全新观察视角;节目叙事手段的创新,则通过细节驱动叙事,以微小说体建立叙事结构。Old water-bound towns in the south of Yangzi River(Jiangnan Water Towns),which have long histories and are abundant of traditional cultures,supply rich resources for documentary producing.The article explores new narrative strategies for the creation of the documentary film"Jiangnan Water Towns"mainly from the perspective of television narratology with the author’s practical experiences.Jiangnan Water Towns should be regarded as complex organisms.The content of defamiliarization requires extremely detailed material support and relies on the collection of narrative materials under field investigation.Meanwhile,Jiangnan Water Towns are listed in the tentative list of World Cultural Heritage,which provides a new perspective of observation and an important theoretical support during the documentary creation.Another innovation of this documentary film is its recounting style,which is driven by details,and the narrative structure is established by micro novels.

关 键 词：江南水乡古镇 纪录片叙事 田野考察 微纪录 

分 类 号：J952[艺术—电影电视艺术] G206[文化科学—传播学]