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作 者:王佳琪 Wang Jiaqi
机构地区:[1]中国艺术研究院,北京100029
出 处:《传媒观察》2020年第11期62-67,共6页Media Observer
摘 要:《决战中途岛》(2019)叙述了第二次世界大战太平洋战争的重要转折点——中途岛海战,在宏大震撼的海空激战场景的再现下,以历史真实与历史虚构相平衡的观照态度呈现出历史中的战争,战争中的历史和时代特性。可以说,这是新世纪下好莱坞电影对战争片的重构,它回顾着美国历史的民族文化,建构着现代美国的多元价值观。本文将从历史叙事的角度阐释蕴含在《决战中途岛》中的美国民族文化和不断建构的美国精神,其促使美国战争片更具历史叙事意义——自始至终利用电影这一国家意识形态机器,宣扬美国的主流价值观。Midway(2019)narrates the battle of Midway,an important turning point in the Pacific War of the Second World War.Under the reproduction of the grand and shocking scene of fierce battle on the sea and in the air,it presents the war in history,the historical characteristics of the war with a balanced attitude of truth and fiction.It can be said that this is the reconstruction of war films by Hollywood in the new century.It looks back to the national culture of American history and constructs the pluralistic values of modern America.This paper explains the American national culture embodied in Midway and the American spirit constantly constructed from the perspective of historical narration,which makes American war films more significant in historical narration--from the beginning to the end,the film is used as a national ideological machine to promote the mainstream values of the United States.
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