论李佩甫创作的心理嬗变  

On the Psychological Transmutation of Li Peifu’s Creation

作　　者：樊会芹[1] FAN Huiqin(School of Literature,Xinyang Normal University,Xinyang,Henan 464000)

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《中国文学研究》2020年第4期160-166,共7页Research of Chinese Literature

基　　金：国家社会科学基金一般项目“新时期以来长篇小说的世情传统研究”(18BZW172)。

摘　　要：河南作家李佩甫是当代文坛在地域写作方面取得突出成就的作家之一,其创作从初始的类于众人到最终的风格独具走了四十年的历程。四十年写作不仅标示着李佩甫创作水平的步步提高,也贯穿了他不断打破原有状态、将写作推向更高层次的心理探索过程。具体来说,李佩甫创作心理嬗变轨迹主要表现在四个方面:从原生态到精神生态的中原书写;从对立到融合的城乡叙事;从侧重批判到侧重救赎的人性观照;从"具象"到"意象"的艺术提升。Li Peifu,a writer from Henan province,is one of the most outstanding writers in the field of regional writing.After forty years of honing his writing,he eventually formed his own style from being mediocre,which not only marked Li Peifu’s improvement,but also ran through his psychological exploration process of breaking the original state and pushing his writing to a higher level.Specifically speaking,his psychological transmutation is mainly manifested in four aspects:the central plains writing from the original ecology to the spiritual ecology,the urban and rural narrative from opposition to integration,the view of human nature from critical to redemptive and the art promotion from"figurative"to"imagistic".

关 键 词：李佩甫 创作 心理嬗变 

分 类 号：I206.7[文学—中国文学]