非物质文化遗产保护视域下的民俗博物馆叙事研究——以上海土布馆群为例  

Intangible Heritage Protection and Narratives in Folk Culture Museums:A Case Study of Handwoven Textile Museums in Shanghai

作　　者：方云 FANG Yun(College of International Education Shanghai University,Shanghai,200444)

机构地区：[1]上海大学国际教育学院,上海200444

出　　处：《东南文化》2020年第5期180-185,共6页Southeast Culture

摘　　要："民俗博物馆叙事"是"叙事理论"于博物馆学领域中的应用与延展。以民俗博物馆叙事理论为支撑,建构多维度的非遗保护叙事话语,并达成多向度的认同,是当下博物馆作为文化生产机制重要功能的凸显。上海土布馆群叙事策略与话语建构的过程呈现出各自的特色,但最后在达成非遗保护、传播与传承的目标上均有统一的指向性。其对传统手工棉纺织的核心叙事,多聚焦于宋末元初纺织革新家黄道婆的历史贡献及其时代形象建构,而其地方性叙事则旨在引发区域民众的地方感,以土布强化社区的联结,促进地域文化与地方认同。民俗叙事的"语言、景观、仪式"三重叙事路径,有效促成传统手工技艺回归大众生活,使其成为当下仍有社会价值与生命力的民俗资源。The study of narratives in folk culture museums applies narrative theories in the field of museum studies. Drawing on narrative theories to construct multi-dimensional narratives for intangible heritage and strengthen identities is one of the most important missions of today’s museums as cultural institutions.The handwoven textile museums in Shanghai are all devoting to the protection, publicizing and transmission of intangible heritage while adopting different strategies and practices in terms of narrative construction. The core narrative on traditional handwoven cotton fabric focuses on Huang Daopo, an innovationist of textile making active in the late Song and early Yuan period, and her life stories and historic contributions. It forms a local discourse through narratives built of folk language with the aim to arouse a sense of locality, strengthen the connection between communities, and promote the local cultural identity. The language-landscapeceremony approach to folk culture narrative effectively helped the revival of traditional handicrafts and made it a vital and resource of folk culture with great social value.

关 键 词：叙事理论 民俗博物馆叙事 上海土布馆群 非物质文化遗产保护 手工棉纺织技艺 手工棉织布 

分 类 号：G260[历史地理—考古学及博物馆学]