《艺苑卮言》“书法附录”撰写年代考辨  

Study of Wrting Time on the Appendix of Calligraphy of Yi Yuan Zhi Yan

作　　者：刘光喜 Liu Guangxi(Tianjin Normal University,Tianjin 300387)

机构地区：[1]天津师范大学美术与设计学院,天津300387

出　　处：《新疆艺术学院学报》2020年第4期61-67,共7页Journal of Xinjiang Arts University

摘　　要：《艺苑卮言》"书法附录",是研究王世贞书学思想的重要文献。但学界对其撰写的年代缺乏足够的关注,以致不能深入考察王世贞书学思想的形成及其艺术语境的关系。本文从版本学和鉴藏史出发,认为"书法附录"撰写过程与《艺苑卮言》"附录""别录"、《宛委馀编》的编撰密切相关,当在隆庆六年(1572)以后逐渐从"别卷"中独立出来,且主要撰写于隆庆六年(1572)至万历三年(1575),此时王世贞在吴门文化群体中的地位逐渐上升,其投身书画以及鉴藏的意识也在增强。Yi Yuan Zhiyan's calligraphy appendix is an important document to study Wang Shizhen's book ideas.However,the academic circle does not pay enough attention to the date of his writing,so it is unable to deeply investigate the formation of Wang Shizhen's paleography thought and the relationship between it and the artistic context.This article embarks from the version study and the observation history,indicating that"appendix"calligraphy writing process is closely related to"appendix"and"other appendix","Wan Wei Yu Bian"closely related to the compilation.It was separated from"other appendix"in Long-Qin six years of Qing Dynasty(1572)and mainly written from Long-Qin three years of Qing Dynasty(1572)to Wan-Li six years of Qing Dynasty(1575),when Wang Shizhen’s position went up and his consciousness of devoting to calligraphy and painting was also enhanced.

关 键 词：《艺苑卮言》 书法附录 别录 王世贞 

分 类 号：J292.1[艺术—美术]