从“媒介革命”到“革命媒介”:延安新秧歌运动再考察  

From"Media Revolution"to"Revolutionary Media":Revisiting the New Yangko Movement in Yan’an Period

作　　者：张勇锋[1] ZHANG Yong-feng

机构地区：[1]陕西师范大学新闻与传播学院,陕西西安710119

出　　处：《新闻大学》2020年第10期55-68,120,共15页Journalism Research

摘　　要：作为延安时期革命文艺的重要组成部分,以《兄妹开荒》为代表的新秧歌运动具有媒介学上的典范意义。为响应《讲话》"服务工农兵"的号召,打通政治动员中意识形态的传输壁垒,传统民间秧歌被甄选为革命思想的"传递装置",其创新文本《兄妹开荒》从"技术配置"与"文化配置"两个方面得到了改造革新,由此生成一种新型的媒介逻辑,传统秧歌实现了从俚俗小戏到"革命媒介"的成功再造,从而在特定的历史时空使中共的思想获得了实体支持,信仰物化为力量。As an important part of the revolutionary literature and art in Yan’an period,the new Yangko movement represented by Brother and Sister Farming is of typical significance in Mediology.In response to the Yan’an Speech and breaking through the transmission barrier of ideology in political mobilization,the traditional folk Yangko was selected as a"transmission device"of revolutionary thought,its innovative text Brother and Sister Farming was reformed and transformed from the technology and culture,thus a new media logic was generated,Yangko was successfully transformed from vulgar drama to"revolutionary media".It made the thought of CPC obtain the entity,and turned the belief into the strength.

关 键 词：媒介学 新秧歌剧 媒介逻辑 中介化 革命 

分 类 号：G206[文化科学—传播学]