借古开今:20世纪50年代关于绳文土器的探研之路  

Learn from the Past:the Exploration and Research of Jomon Pottery in the 1950s

作　　者：张夫也[1] 林弘毅 ZHANG Fuye;LIN Hongyi(Tsinghua University,Beijing 100084,China)

机构地区：[1]清华大学,北京100084

出　　处：《工业工程设计》2020年第6期116-120,共5页INDUSTRIAL&ENGINEERING DESIGN

基　　金：清华大学自主科研计划领军人才支持专项(2017THZWLJ03)。

摘　　要：纵观日本工艺美术史,绳文土器以其奔放、充满生命力的造型为人熟知,与之后逐渐体现日本民族性的精致、细腻的作品有着明显的区别。日本考古学者对绳文文明的发掘起始于日本明治时代,然而对于绳文之美的发现却已是二战以后,以艺术家冈本太郎为首的文艺界人士对绳文之美的揭示,使得普通民众对这些沉睡了数千年的土器有了新的认识,本文将阐述绳文土器之美的发现背景和过程,并探讨其中传统的现代价值是如何被激发的。Throughout the history of Japanese arts and crafts,Jomon pottery is well known for its bold and vigorous shape,which is obviously different from the exquisite and delicate works that gradually reflect the Japanese nationality.Japanese archaeologists begin to excavate Jomon pottery in Meiji period.However,the discovery of the beauty of the Jomon pottery is revealed by the literary and art circles led by the artist Okamoto after World War II,which makes the ordinary people have a new understanding of these earthen artifacts that have been sleeping for thousands of years.The work aims to elaborate the background and process of the discovery of the beauty of Jomon pottery and explore how the modern value of tradition is stimulated.

关 键 词：绳文土器 原始艺术 民艺 

分 类 号：J528[艺术—艺术设计]