反思乡土主义——乡土中国影像话语结构研究  

Rethinking Ruralism: The Research on Discursive Structure of the Image of Rural China

作　　者：吴海清[1] Wu Haiqing

机构地区：[1]北京舞蹈学院

出　　处：《电影艺术》2020年第6期40-45,共6页Film Art

摘　　要：在乡土中国电影话语传统中,自然的、本真的、诗意的、美丽的、本源性的、善良的世界,与混乱的、疾病化的、非理性的、贫穷的、闭塞化的世界共存。这一看似矛盾的乡土中国形象,是我国现代性乡土主义话语结构本身所造成的。我国的现代性以乡土中国作为核心参照以建立自己的正当性,形成了颇具特点的乡土主义话语传统,即将乡土中国作为二元结构的参照对象,并在国家现代性规划、实践中实现现代对乡土中国的启蒙、改造等。In the discourse tradition of rural Chinese film, the natural, authentic, poetic, beautiful, native, and good world coexists with the chaotic, diseased, irrational, impoverished, and confined world. This seemingly contradictory image of rural China is the result of the structure of the ruralist discourse of our modernity itself. China’s modernity has established its own legitimacy by taking rural China as the core reference, forming a distinctive ruralist discourse tradition, that is, taking rural China as the reference object of the binary structure, and realizing modern enlightenment and transformation of rural China in the national modernity planning and practice.

关 键 词：乡土主义 乡土中国 话语结构 代言 

分 类 号：J905[艺术—电影电视艺术]