空间逻辑与文化使命——精准扶贫题材电影创作研究  

Research on the Creation of Targeted Poverty Alleviation Films

作　　者：李百晓 Li Baixiao

机构地区：[1]山东女子学院文化传播学院

出　　处：《电影艺术》2020年第6期46-50,共5页Film Art

摘　　要：2020年是打赢脱贫攻坚战的决胜之年。震古烁今的历史节点呼唤着意瞩高远的电影作品。回顾、梳理并反思那些反映了这场伟大征程的精准扶贫题材影片,为后续作品提供创作的参考与指导具有深刻的意义。从人物形象的建构模式、叙事空间的整合方式可以发现精准扶贫影片的内在规律与历史延伸。精准扶贫影片需要做到意识形态传播与艺术创作的有机融合,要求创作者以积极的政治态度、更高标准的艺术追求与更为精湛的技艺承担起书写与讴歌新时代的历史使命。The year 2020 will be a decisive year to win the battle against poverty. The evocative historical nodes call for ambitious film works. It is of profound significance to review, sort out and reflect on those targeted poverty alleviation films that reflect this great journey, and provide references and guidance for the creation of subsequent works. From the construction mode of characters and the integration of narrative space, we can find the inherent law and historical extension of targeted poverty alleviation films. Targeted poverty alleviation films need to achieve the organic integration of ideological communication and artistic creation, which requires the creators to undertake the historical mission of writing and eulogizing the feats of the new era with positive political attitude, higher artistic pursuit and more advanced technical skills.

关 键 词：精准扶贫 电影创作 人物形象 叙事空间 意识形态传播 

分 类 号：J904[艺术—电影电视艺术]