丝绸之路背景下来通在中国的流传与造型嬗变  

The Circulation and Shape Evolution of Rhyton in China in the Context of the Silk Road

作　　者：詹颖[1] Zhan Ying

机构地区：[1]四川文化产业职业学院文化产业发展研究中心,四川成都610213

出　　处：《中华文化论坛》2020年第6期108-120,154,共14页Journal of Chinese Culture

基　　金：国家社科基金重大项目“丝绸之路中外艺术交流图志”(项目编号:16ZDA173)阶段性成果。

摘　　要：来通是典型的西方文明器用,南北朝时期中国开始出现陶瓷仿制品,此后不断演变,经历了模仿期、演变期和衍生期的发展,最终融入中国陶瓷的造型样式。来通在陶瓷造型中的嬗变是一个动态的交流融合过程,体现了丝绸之路文化交流的丰富性与复杂性,反映了外来文化与本土文化、器物材质与工艺技术、审美趣味与地域风格之间的全面交流与融合。通过不断包容和整合不同文化元素、并将其进行风格化的吸收和改造,来通的造型最终被中国陶瓷吸收融合,成为中国文化的一个部分。Rhyton(a kind of oxhorn in ancient Greece)is a typical Western-style civilized utensil.In China,its ceramic imitations started to emerge during the Northern and Southern Dynasties.Since then,it has been evolved for imitation,evolution and derivative periods and finally integrated in Chinese ceramic shape and style.The ceramic shape evolution of rhyton is a dynamic exchange and integration process that reflects rich and complex cultural exchange along with the Silk Road and the comprehensive exchange and integration between foreign culture and local culture,utensil material and process technology,and aesthetic taste and regional style.After continuous inclusion and integration of different cultural elements and stylistic absorption and reformation,rhyton shape was eventually integrated in Chinese ceramics as a part of Chinese culture.

关 键 词：丝绸之路 中国 来通 流传 造型嬗变 

分 类 号：K203[历史地理—历史学]