《柘枝舞》与吐蕃乐舞的关联考察  被引量:3

A Study on theCorrelation between “Zhezhi Dance” and Tubo Music and Dance

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作  者:兰凌 LAN Ling(College of Fashion and Design Arts,Sichuan Normal University,Chengdu 610101,China)

机构地区:[1]四川师范大学服装与设计艺术学院,成都610101

出  处:《北京舞蹈学院学报》2020年第4期82-87,共6页Journal of Beijing Dance Academy

基  金:国家社科基金艺术学一般项目“近现代川剧改良运动研究”(项目编号17BB022)阶段性成果。

摘  要:关于《柘枝舞》的来历,学界主要有"石国""南蛮"及"拓跋"三说,至今仍无定论。文章试图以冯晖墓《柘枝舞》考古图像中的"竹竿子""卷檐虚帽"为线索,对《柘枝舞》东渐中原的中间环节做出考察。《柘枝舞》在唐代杂糅了吐蕃乐舞的内容,以致面貌发生改变,这也是对其来历歧见纷纭的主要原因。Regarding the origin of "Zhezhi Dance",there are mainly three theories of "Shiguo","Nanman" and "Tuoba" in the academic circles,yet there have been no conclusions.The paper attempts to use the "bamboo poles" and "empty hat with curled eaves" in the archaeological images of "Zhezhi Dance" unearthed from Feng Hui’s tomb as clues to investigate the intermediate links in the eastward spread of "Zhezhi Dance" to the Central Plain."Zhezhi Dance" was mixed with the contents of Tubo music and dance in the Tang Dynasty,resulting in the change of its appearance,which is also the main reason for divergent opinions on its origin.

关 键 词:柘枝舞 冯晖墓 吐蕃乐舞 

分 类 号:J709[艺术—舞蹈]

 

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