鲁滨逊三部曲中的“同性情欲”之辨  

On Homoerotic Desire in the Crusoe Trilogy

作　　者：王晓雄 Wang Xiaoxiong(School of Humanities,Hangzhou Dianzi University,Hangzhou,Zhejiang Province,China)

机构地区：[1]杭州电子科技大学人文学院,浙江杭州310018

出　　处：《外国文学》2020年第6期46-57,共12页Foreign Literature

摘　　要：鲁滨逊三部曲的"酷儿式"解读指出,鲁滨逊和星期五之间存在着同性情欲,这一解读引发了学界的争议。本文聚焦于鲁滨逊和星期五之间从主奴到同伴的关系变化,辨析出其中的同性情欲内涵及其生成原因。然而,笛福的创作意图却是要去同性情欲化,构建新型男性形象以完成其道德和政治目的。本文认为,由于笛福在创造新型男性形象时使用了旧式的男性话语,导致小说中出现了其极力避免的同性情欲。三部曲的同性情欲问题体现了笛福的创作意图和小说呈现之间的矛盾,这表明虚构文本在社会转型时期展现的新旧话语对于形塑意识形态的重要作用。The queer interpretation of the Crusoe trilogy has become a debated issue in academic circles due to the suggestion that Robinson Crusoe is in a homoerotic relationship with Friday.This paper focuses on the dynamic process of changes in the RobinsonFriday relationship and analyzes the homoerotic connotations in the process.Defoe’s creative intention was to construct a new type of male image by erasing the possibilities of queerness for his moral and political purposes,but his application of the old-style male discourse inevitably points to the presence of homoerotic desire,which he tries to avoid in the novels.The homoeroticism issue in the trilogy reflects the tension between Defoe’s creative intention and the presentation of the novels,which indicates that the old and new discourses of fictional text have played an important role in shaping ideology during the period of social transformation.

关 键 词：鲁滨逊三部曲 同性情欲 所多糜 男子气概 

分 类 号：I561[文学—其他各国文学]