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作 者:宋文 尤珈[1] Song Wen;You Jia(Beijing Institute of Fashion Technology,Beijing 100105,China)
机构地区:[1]北京服装学院,北京100105
出 处:《纺织报告》2020年第8期43-48,共6页
摘 要:坎普不仅是一种独特的艺术风格,也是一种不拘一格、不同于以往的审美趣味和感受力。时尚尤其是高级时装,凭借对美学和表现力的高度重视,充当了展现坎普风格的合适工具。20世纪60年代以来,坎普在苏珊·桑塔格的推动下走进了社会的主流语境中,但从未失去挑战现状的力量。直到今天,年轻一代的时装设计师以幽默、怪诞、戏剧化、浮华的演绎方式不断去探讨坎普背后所隐藏的表达欲与创造力,坎普风潮也在越来越多的地方日渐成熟。文章将坎普与时尚联系在一起,对坎普在时装中的发展演变进行简要概述,归纳并总结坎普在时装设计中的风格表现,以此希望能够帮助大众进一步理解坎普时装及坎普的美学实践在当下的意义及价值。Camp is not only a unique artistic style,but also a kind of unrestrained,different from the previous aesthetic taste and sensibility.Fashion,especially haute couture,with its high emphasis on aesthetics and expressiveness,serves as a suitable tool to show the Kemp style.Since the 1960s,Camp has entered the mainstream context of society under the impetus of Susan Santag,but it has never lost the power to challenge the status quo.To this day,the younger generation of fashion designers with humor,grotesque,dramatic,flashy way to explore the hidden expression behind Camp and creativity,Camp trend is increasingly mature in more and more places.This paper links Camp with fashion,summarizes the development and evolution of Camp in fashion,summarizes and summarizes the style performance of Camp in fashion design,and hopes to help the public to further understand Camp fashion.And Camp’s aesthetic practice in the present significance and value.
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