列宾《萨特阔》“失败遭遇”考辨  

A Study on the"Failure"of Ilya Repin's Sadko

作　　者：于润生[1] 冉桑蓬 YU Runsheng;RAN Sangpeng

机构地区：[1]中央美术学院人文学院,北京100102 [2]俄罗斯圣彼得堡国立大学历史学院

出　　处：《艺术探索》2020年第5期6-19,共14页Arts Exploration

摘　　要：1876年列宾将公费游学的成果《萨特阔》送回国内展出时,遭到评论界强烈批判。他本人虽凭此画获院士头衔,却也将其视为艺术生涯中的败笔。从《伏尔加河上的纤夫》问世开始,民族主义观念导致了列宾的身份认同与观念认同之间矛盾的加剧,而《萨特阔》则是其摆脱此种观念束缚,探索纯粹艺术语言的尝试之作。Sadko was the result of the government-sponsored study tour of Ilya Repin, which was strongly criticized by critics when it was sent back and exhibited in Russia in 1876. Although Repin himself won the title of "Academician" by this painting, he also regarded it as a failure in his life. The nationalist concept has led to the intensification of the contradiction between "art identity" and "art idea" of Repin since his work Barge Haulers on the Volga shown to the world, while Sadko was an attempt, which he tried to get rid of this concept and explore purely artistic language.

关 键 词：列宾 《萨特阔》 俄罗斯艺术 19世纪下半叶 艺术批评 

分 类 号：J205[艺术—美术]