论中国戏曲音乐的腔句体式——以吕剧音乐为例  

On the Patterns of Tunes and Sentences in Chinese Opera Music--Take Lyu Opera Music as an Example

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作  者:丁旭东[1] DING Xudong

机构地区:[1]山西师范大学音乐学院,山西临汾041004

出  处:《艺术探索》2020年第5期111-120,共10页Arts Exploration

摘  要:中国戏曲音乐的腔句体式即腔段子层次——腔句的结构样式,腔句子层次结构的核心术语为“腔韵”与“乐逗”。中国戏曲音乐的腔句体式有三种分类方法,即按腔句的字词格分类法、按腔句中乐逗结构分类法以及综合多要素分类法。最佳的腔句分析方法是加入腔韵、综合字词格式与乐逗结构的分类法,因为这种分类法相对较全面地揭示腔句特征与内部逻辑关系。The tune sentence pattern of Chinese opera music is the layer structure of tune sentences--the structure pattern of tune sentences.The core terms of the sentences layers are"rhyme of cavity"and"tempo".There are three classification methods for the patterns of Chinese opera music,namely,classification according to the word format of the tune sentence,classification according to the structure of tempo in the tune sentence and the comprehensive classification of multiple elements.The best way to analyze tune sentences is to add rhyme of cavity,comprehensive word format and tempo structure,because the characteristics of tune sentences and the internal logical relationship can be revealed by the classification method of this kind more comprehensively.

关 键 词:腔句体式 腔韵 乐逗 

分 类 号:J617.5[艺术—音乐]

 

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