文化相对主义视角下的日本木构建筑遗产保护价值观研究  

Research on the Values of Wooden Heritage Preservation in Japan from the Perspective of Cultural Relativism

作　　者：郭开慧 陈曦[1] GUO Kaihui;CHEN Xi

机构地区：[1]苏州大学建筑学院,江苏215123

出　　处：《新建筑》2020年第6期105-109,共5页New Architecture

基　　金：国家自然科学基金青年项目(51508361);江苏高校哲学社会科学研究项目(2018SJA1314)。

摘　　要：日本建成遗产主要由木构建筑遗产组成,但由于木构建筑的特征,日本倾向于采取替换与重建为主要修缮方式,这使其遗产保护的“真实性”饱受争议。文章通过剖析日本各历史阶段的主要修缮实践与理论发展,梳理了其木构建筑遗产保护方法的发展与演变,并进一步结合其文化特性与现实背景,围绕“真实性”这一核心观念,概括出四种历久弥新的日本木构建筑遗产保护价值观,以期回应一种基于文化相对主义的“真实性”再思考。The built heritage in Japan is composed primarily of wooden architecture heritage.However,allowing for the characteristics of wooden architecture,Japan tends to take replacement and reconstruction as the main repair method,which makes the authenticity of its heritage preservation controversial.Based on the thorough analysis of the major conservation practices and literature during each historical stage of Japan,this paper briefly reviews the development and evolution of the preservation methods of Japanese wooden buildings.Focusing on the core concept of“authenticity”and further taking into account the cultural traits and realistic background of Japan,this paper summarizes four ever-unfading values of wooden heritage preservation in Japan,in order to respond to the rethinking of“authenticity”from the perspective of cultural relativism.

关 键 词：日本木构遗产 保护 文化相对主义 真实性 价值观 

分 类 号：TU-87[艺术—艺术设计]