泛江南地区传统城市色彩特征与应用实践研究  

Study on the Traditional Urban Color Features and Application in Pan-River South Region in China

作　　者：郭红雨[1] Guo Hongyu

机构地区：[1]广州大学建筑与城市规划学院

出　　处：《建筑与文化》2020年第12期78-81,共4页Architecture & Culture

基　　金：广东省哲学社会科学“十三五”规划2020年度岭南文化项目,“基于文化符号价值的岭南传统园林色彩与江南传统园林色彩比较研究”(项目编号:GD20LN11)。

摘　　要：位于中国东南部水网湖泽处的泛江南地区是中国文人特征和诗画气质最浓郁的文化区,"黑、白、灰"色调是其区域性的传统城市色彩符号。文章在界定泛江南地区范畴的前提下,分析泛江南地区文化共性造就的黑白灰色调城市色彩特征,特别论述了由吴越文化差别造成的泛江南地区色彩差异化表现,并结合苏州、绍兴、无锡等地城市色彩规划实践,解析文人的苏州、工商的无锡和家国的绍兴的城市文化特征以及由此形成的色彩差异,阐述利用传统城市色彩基因塑造城市色彩个性的色彩规划实践策略。The Pan-Jiangnan region located in the southeast of China,where waters and lakes are densely distributed,is a cultural region with the most intense literati and poetic temperaments in China.The"black,white and gray"color tones is its regional urban color symbol.This article defines the scope of the Pan-River South,analyzes the urban color features of the black,white and gray color tones created by cultural similarities in the Pan-Jiangnan area,analyzes the urban color difference in Pan Jiangnan area caused by the difference of Wu cultural&Yue cultural.Based on the urban color planning practice of Suzhou,Shaoxing and Wuxi,the article analyzes the cultural characteristics and the resulting color differences of the literati’s Suzhou,the industrial and commercial Wuxi and the native land emotion’s Shaoxing,and introduces the practice strategy of urban color planning for the use of the traditional city color gene to shape the urban color personality.

关 键 词：泛江南地区 城市色彩 吴越文化 色彩特征 色彩差异 

分 类 号：TU115[建筑科学—建筑理论] TU984