王朝柱与当代纪实影视创作——以《开国领袖毛泽东》为考察重点  

WANG Chaozhu and Contemporary Documentary Film&TV Play Creation——With Reference to Found Father of China,MAO Zedong

作　　者：张莉[1] ZHANG Li(Centre for Arts Education and Research of Beijing Normal University,Zhuhai 519085,China)

机构地区：[1]北京师范大学艺术教育与研究中心,广东珠海519000

出　　处：《哈尔滨师范大学社会科学学报》2020年第6期118-122,共5页Journal of Social Science of Harbin Normal University

基　　金：国家社会科学基金项目“中国现当代纪实文学研究”(11BZW120)。

摘　　要：新时期以来,我国纪实影视创作发展迅猛、成就辉煌,其中王朝柱是其首席代表。他既像史学家那样占有和辨析相关史料,又将历史评说中的难点变成重大题材创作中的亮点,其创作具有宏大叙事、史诗品格与艺术创新等特色。如《开国领袖毛泽东》不但将“平凡”与“伟大”有机融合,全方位、多角度地再现了毛泽东的光辉形象,而且场面壮阔、气势磅礴,表现出真正的“大视野、大胸怀、大气量、大手笔”与“史诗”特色。王朝柱创作具有重要的理论与现实意义,我们必须高度重视“王朝柱现象”与当代纪实影视创作研究。Since the 1970s,the creation of documentary film and TV play has witnessed a rapid development and gained brilliant achievements.WANG Chaozhu is one of the chief representatives in this great development.He does not only have access and be able to analysis the relevant historical materials,but also be capable of turning the difficulties in historical evaluation into highlights in the crucial and significant film and TV play creation.His works contain features of grand narrative,epic style,and art innovation.In his TV play Found Father of China,MAO Zedong,he does not only integrate MAO Zedong’s ordinary and great features,with the aim to reproduce his glorious image through various angles;but also use magnificent scenes to present the characteristics of grand perspectives,magnanimity,heavy investment and epics.Thus,WANG Chaozhu’s works are meaningful both theoretically and realistically.Importance should be attached to“WANG Chaozhu phenomenon”,as well as the research into contemporary documentary film and TV play creation.

关 键 词：王朝柱 纪实影视 宏大叙事 史诗特色 艺术创新 《开国领袖毛泽东》 

分 类 号：I206.7[文学—中国文学]