从甲骨文和纳西象形文看中国书画之流与变  

On the Evolution of Chinese Painting and Calligraphy from Oracle Bone Inscription and Naxi Pictograph

作　　者：潘玉福 PAN Yu-fu(College of Ethnic Culture,Yunnan Minzu University,Kunming650500,Yunnan)

机构地区：[1]云南民族大学民族文化学院,云南昆明650500

出　　处：《丽江师范高等专科学校学报》2020年第1期17-21,共5页Journal of Lijiang Teachers College

摘　　要：文章从甲骨文与纳西象形文字中的刻与画为切入点,探讨了书法与绘画这两种艺术形式的特征,即:刻与画而产生的方笔与圆笔的特征,提出了中国书画起源于刻画符号的观点。文章简要分析了中国书画的流变情况,阐明了中国书法虽同源而异派,但在发展的过程中也是相互借鉴的,对中国书画艺术发生的研究具有一定参考意义。Starting from the carving and painting in oracle bone inscriptions and Naxi hieroglyphs,this paper discusses the characteristics of calligraphy and painting,i.e.the characteristics of square and round pens produced by carving and painting,and puts forward the viewpoint that Chinese calligraphy and painting originated from depicting symbols.It also briefly analyzes the evolution of Chinese calligraphy and painting,and expounds that Chinese calligraphy is of the same origin but different schools,they also learn from each other in the process of development,which has certain reference significance for the study of the origin of Chinese calligraphy and painting.

关 键 词：甲骨文 纳西象形文字 刻画符号 

分 类 号：J29[艺术—美术]