荣格原型理论观照下“女驸马”的女性形象  

An Analysis of a Female Image Called Feng Suzhen of Huangmei Opera in Jung’s Prototype Theory

作　　者：姚瑶 Yao Yao(Nanjing University of Science and Technology,Jiangsu Jiangyin 214400)

机构地区：[1]南京理工大学外国语学院,江苏江阴214400

出　　处：《宁波广播电视大学学报》2020年第4期71-74,共4页Journal of Ningbo Radio & TV University

摘　　要：荣格的阿尼姆斯原型和人格面具原型是文学批评中分析角色内在特质的重要理论依据,黄梅戏《女驸马》中的冯素珍便兼具"男性气质"和双重人格面具特征。基于该原型理论,对黄梅戏《女驸马》中冯素珍一角进行研究,挖掘其从大家闺秀到"女驸马",再演变为贤妻良母的过程中,人物性格的发展变化,并讨论其阿尼姆斯特质形成的起源与人格面具掩盖下的真实自我,由此分析《女驸马》中冯素珍女性形象形成的独特心理学根源。Jung’s Archetype Theory,including animus and persona,is an important way to study the intrinsic characteristics of characters in literary criticism.From this perspective,this paper focuses on the analysis of the heroine,Feng Suzhen in Huangmei Opera:Emperor’s Female Son-in-low,discussing the character changes in the process of her role changes.This paper tries to use the Jung’s archetype theory to seek the character’s psychological roots on the basis of her female images.

关 键 词：原型理论 阿尼姆斯 人格面具 女性形象 

分 类 号：I106.4[文学—世界文学]