基于中国传统绘画的园林空间非透视性 探究  

Research on Non-perspective of Garden Space Based on Traditional Chinese Painting

作　　者：王梦琦 沈实现[1,2] WANG Mengqi;SHEN Shixian

机构地区：[1]中国美术学院建筑艺术学院景观设计系,杭州310024 [2]本来设计工作室

出　　处：《中国园林》2020年第11期67-72,共6页Chinese Landscape Architecture

基　　金：国家社会科学基金艺术学项目(编号18BG133)资助。

摘　　要：中国传统绘画对造园影响深远,二者一脉相承,不可分割。由中国画独特的画面秩序和组织结构产生的以非透视手法空间营造的现象引发了对于园林中类似效果的观察与思考。总结了5种用于对照分析绘画与园林的非透视性手法:时空连续与无尽空间、分解重构与消解空间、内部画框与重叠空间、镜像构图与虚实空间,以及近小远大与尺度模糊。意在找到一个新的角度解读古典园林的空间构成,为当下传统造园的传承和创新提供理论参考。Chinese traditional painting has far-reaching influence on the gardening,and the two are inseparable.The phenomenon created by the non-perspective technique space generated by the unique picture order and organizational structure of Chinese paintings led to the author's observation and reflection on the similar effects in the garden.The paper summarizes five non-perspective effects of paintings and gardens:the space-time continuous and endless space,the decomposition reconstruction and digestion space,the internal frame and overlapping space,the mirror composition and the virtual space,the near small and the scale fuzzy.It is intended to find a new perspective to interpret the spatial composition of classical gardens,and also provide theoretical thinking for the inheritance and innovation of the current classical gardens.

关 键 词：风景园林 古典园林 中国画 视知觉 非透视性 

分 类 号：TU986[建筑科学—城市规划与设计]