“荒诞世界”与“反抗哲学”——叙事视角下解析加缪的《鼠疫》  

"The Absurd World"and"Philosophy of Resistance":Analysis of Camus'La Peste from Narrative Perspective

作　　者：郑美香 ZHENG Mei-xiang(School of Foreign Languages,Fujian Jiangxia University,Fuzhou,350108,China)

机构地区：[1]福建江夏学院外国语学院,福建福州350108

出　　处：《福建江夏学院学报》2020年第6期88-92,100,共6页Journal of Fujian Jiangxia University

摘　　要：加缪在《鼠疫》中运用独特的嵌套式“镜中人”双视点人物叙事方式,呈现三个主题内涵,构建三组艺术张力,融合三种叙事风格:一是设置里厄与塔鲁两个视点人物,讲述一个由鼠疫引发人类行动的故事,构建“囚徒们”和“觉醒者”之间的张力,形成纪实小说的风格;二是设置“镜中人”互文叙事,讲述一个充满感情与思考的寓言故事,构建“冰山风格”和“生命激情”之间的张力,形成寓言小说的风格;三是设置嵌套式叙事,展开一场面对人类灾难图景的存在主义哲思,构建“历史叙述”和“文学虚构”之间的张力,形成哲理小说的风格。Starting from the narrative perspective,this paper analyzes the double-perspective narration of nested"man in the mirror"in Camus'La Peste,presenting three theme connotations,constructing three groups of artistic tension,and integrating three narrative styles:one is to set up two viewpoint characters of Rieu and Taru,telling a story of human action caused by plague,constructing the tension between"prisoners"and"the awakened",and forming the style of documentary novels;the second is to set up the inter-textual narration of"man in the mirror"to tell a fable full of emotion and thinking,thus constructing the tension between"iceberg style"and"life passion"to form the style of fable novels;the third is to set up the nested narration to unfold an existentialist philosophy facing the human disaster,and to construct the tension between"historical narration"and"literary fiction",forming the style of philosophical novels.

关 键 词：加缪《鼠疫》 嵌套式叙事 双视点互动 荒诞世界 反抗哲学 

分 类 号：I106.4[文学—世界文学]