“常德不离,复归于婴儿”——徐怀中笔下的汪可逾性格  

“He Has the Original of Character Which is Not Cut Up, and Returns Again to the Innocence of Babe”: Wang Keyu’s Character in Xu Huaizhong’s Works

作　　者：张志忠[1] Zhang Zhizhong

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《中国文学批评》2020年第4期16-22,155,共8页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金重大招标项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122)阶段性成果。

摘　　要：人物形象创新是徐怀中的《牵风记》广受好评的重要原因之一,特别是其中汪可逾形象的塑造。从徐怀中的戎马人生和创作历程、文学价值取向和受老子哲学浸染、爱美之心和颇具魅力的青年女性形象塑造等方面,可以尝试对“什么是汪可逾性格”的问题作出回答。作家凝聚毕生之力,深入人物的个体心灵,塑造出汪可逾这样一个清纯妩媚风采兼具、家国情怀充沛激荡、复归原初重返自然等多种要素交织的青年女军人形象,不仅为中国文学提供了新的典型人物,也体现了其力求回应社会现实和思想领域需要的路径选择。The innovation of character is one of the important reasons why Xu Huaizhong’s A Story of Towing the Wind is widely praised, especially Wang Keyu. From the aspects of Xu Huaizhong’s military life and creative process, literary value orientation, the influence of Laozi’s philosophy, love of beauty and the creation of charming young women’s images, we can try to answer the question “what is Wang Keyu’s character.” The portrayal of Wang Keyu, a young woman soldier with pure and charming demeanor, full of national feelings, returning to the original nature, not only provides a new typical character for Chinese literature, but also reflects the writer’s choice to respond to social reality and ideological needs.

关 键 词：徐怀中 《牵风记》 汪可逾性格 孙犁文脉 归返原初 

分 类 号：I207.425[文学—中国文学]