“左联”文艺大众化实践考论  

On the Popularization of Literature and Art in the Left Coalition of Writers

作　　者：张广海 Zhang Guanghai

机构地区：[1]浙江大学中文系,杭州310058

出　　处：《中国文学批评》2020年第4期76-82,157,共8页Chinese Journal of Literary Criticism

基　　金：教育部哲学社会科学研究重大课题攻关项目“面向2035我国高校哲学社会科学整体发展战略研究”(18JZD056)阶段性成果;中央高校基本科研业务费专项资金资助。

摘　　要：“左联”在中国文坛上首次郑重提出文艺大众化问题,并把文艺大众化视作自己的主要追求,有力推动了马克思主义文艺理论中国化的进程。1930年和1932年的两次文艺大众化讨论,都由“左联”发起并主导,由此确立了文艺大众化问题的基本逻辑框架,文艺大众化迅速成为文坛焦点。第一次文艺大众化讨论发生于“左联”成立前夕及初期,“左联”有意识地改造《大众文艺》杂志,将“大众文艺”转变到无产阶级的立场之下,组织了大批盟员参与讨论;第二次文艺大众化讨论发生于1932年,“左联”在瞿秋白的影响下,开始对文艺大众化问题进行更加具体和深入的探讨,并引发了广泛争鸣。The Left Coalition of Writers first solemnly raised the issue of popularization of literature and art in the Chinese literary arena, and regarded it as its main pursuit, which effectively promoted the process of sinicization of Marxist literary theory. The two discussions on the popularization of literature and art in 1930 and 1932 were initiated and led by the Left Coalition of Writers. The first discussion on the popularization of literature and art took place on the eve and early days of the establishment of the Left Coalition of Writers. The coalition consciously transformed the magazine Popular Literature and Art to the position of the proletariat. The second discussion on the popularization of literature and art took place in 1932. Under the influence of Qu Qiubai, the Left Coalition of Writers began to make a more specific and in-depth discussion on the popularization of literature and art, and triggered a wide debate.

关 键 词：“左联” 文艺大众化 陶晶孙 《大众文艺》 瞿秋白 

分 类 号：I206.6[文学—中国文学]