20世纪30年代左翼文艺及其衍生性问题——以“大众”的讨论为中心  

Left-wing Literature and Its Derivative Issues in the 1930s: A Focus on the Discussion of “the Masses”

作　　者：齐晓红[1] Qi Xiaohong

机构地区：[1]中国现代文学馆,北京100029

出　　处：《中国文学批评》2020年第4期83-92,157,共11页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金项目“中国现代文学中的‘大众’演变研究(1898-1937)”(17BZW186)阶段性成果。

摘　　要：20世纪30年代左翼文艺组织化的展开,其理论诉求和文艺实践需要在与它对立的民族主义文艺等争论中展开。虽然理论上二者存在互相涵盖的方面,但其衍生而来的大众的民族性还是阶级性的问题始终是双方对立的关键点。然而随着情势的转变,“两个口号”论争的出现表明在左翼文艺内部也出现了大众的民族性还是阶级性的争论,从而也促发了左翼文艺理论的互动和生长。With the development of left-wing literature and art organization in 1930s, its theoretical appeal and literary practice need to be launched in the debates with other thoughts, such as nationalist literature and art. The issue of nationality or class nature of the masses derived from it has always been the key point of opposition between the two sides. The emergence of the debate on“Two Slogans” indicates that there was a debate on the nationality or class nature of the masses in the left-wing literature and art, which also promoted the interaction and growth of the left-wing literary theory.

关 键 词：左翼文艺 大众文艺 阶级 民族 “两个口号”论争 

分 类 号：I206.6[文学—中国文学]