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作 者:李丽[1] LI Li(School of Literature and Communication,Xianyang Normal University,Xianyang Shaanxi 712000,China)
机构地区:[1]咸阳师范学院文学与传播学院,陕西咸阳712000
出 处:《萍乡学院学报》2020年第4期56-59,共4页Journal of Pingxiang University
摘 要:改革文学作为工业题材小说的另一种形式,敏感而又真实地反映出在中国现代化进程中,民众对“现代民族国家构想”的认知变化及思考。从发轫期对“速度与数字”的迷恋,到20世纪90年代对国有企业改革重重困难及工人生存窘境的关注,作家们力图更进一步运用文学的方式,探讨中国的“现代化”之路。赫东军新作《谁主沉浮》在一定程度上沿袭了这样的思路。所不同的是,他以更大胆的写实方式,以更悲悯的现实观照精神,在中国工业题材小说这条路上做出了两大探索:一是塑造了一批充满理想又荒谬、无奈的“推石头之人”;二是探讨了改革开放四十余年后,中国国家企业中“人”与“企业”的关系。Reform literature,another form of industrial fiction,sensitively and truthfully reflects the changes in people’s perception and reflection on the“concept of modern nation state”in the process of China’s modernization.From the brewing fascination with“pace and statistics”to the concern about the difficulties of reforming state-owned enterprises and the dilemma of workers’survival in the 1990s,the writers have tried to further explore the road of“modernization”in China through literary means.HE Dong-jun’s new works,Who is the Master of Ups and Downs,follows this idea to some extent.The difference is that,in a more daring and realistic way,and with a more compassionate spirit of realistic observation,he has made two major explorations on the road of Chinese industrial fiction:first,he creates a group of idealistic,absurd and helpless“stone pushers”.Secondly,he explores the relationship between“man”and“enterprise”in Chinese state enterprises after more than forty-years’reform and opening-up.
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