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作 者:吴颖 WU Ying(School of Drama and Film,Shanxi Normal University,Linfen 041004,China)
机构地区:[1]山西师范大学戏剧与影视学院,山西临汾041000
出 处:《经济问题》2020年第12期114-120,共7页On Economic Problems
摘 要:大力发展旅游产业是山西综合改革的重要方向之一。目前,被动式的游览模式使山西旅游景区生存与发展的能力不足,而不以舞台为表演边界的仪式戏剧可以有效为景区发展纾困。试图从游客需求、景区发展、仪式戏剧生存现状等角度论述山西旅游景区与仪式戏剧的结合,通过对比分析日本节庆旅游的发展脉络,探析山西旅游景区与仪式戏剧结合的路径,以期打破山西旅游景区的被动式游览困境,提升其文化内涵及软实力,助推山西旅游产业和转型发展,为山西旅游产品的设计开发、仪式戏剧的传承复兴提供一定的思路。Developing the tourism industry is one of the important direction of comprehensive reform of Shanxi province.At present,the passive tour mode makes the ability insufficient of Shanxi’s scenic spors’survival and development,but ritual dramas that do not rely on the stage as performing can effectively improve the development of scenic spots.This article attempted to discuss the combination of ritual dramas and scenic spots of Shanxi from different perspectives such as tourist demand,development of scenic spots and the status quo of ritual drama.In addition,we explored the path of combining Shanxi’s scenic spots with ritual drama through comparative analysis of the development of Japanese festival tourism.Hope to break the passive tourism dilemma of scenic spots,enhance the soft power of scenic cultural connotation and promote the transformation and development of tourism industry.These studies provide novel ideas for the design and development of Shanxi tourism products and the inheritance and revival of ritual dramas.
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