非君唱乐府,谁识怨秋深?——雍乾词坛四次“补题五阕”唱和主题考述  

A Study of the Four Times'Responsory Themes of Five Pieces of Ci Poems in Yuefu Supplement During Yongzheng and Qianlong Periods

作　　者：刘东海 LIU Dong-hai(School of Social Sciences,University of Shanghai for Science and Technology,Shanghai 200434,China)

机构地区：[1]上海理工大学沪江国际教育学院,上海200434

出　　处：《西华师范大学学报（哲学社会科学版）》2020年第6期26-38,共13页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：国家社科基金重大项目(17ZDA258)。

摘　　要：南宋《乐府补题》对《天香·龙涎香》等五阕唱和之后,在顺康词坛、雍乾词坛兴发两次追和高潮,统称为“拟《乐府补题》”唱和。除了追和前人五调、五物创作外,雍乾词坛又三次采纳同调进行了另咏五物的创作,被称为“仿《乐府补题》”唱和。雍乾词坛所有“乐府五阕”的创作,基本表现了“小隐”“世稳”主题;后三次唱和,更具深情。四次“乐府五阕”创作,代表了浙派咏物词唱和的最高水平。Yuefu Supplement of the Southern Song dynasty responded to the five Pieces of Yuefu ci poems such as Tianxiang·Longxianxiang(《天香·龙涎香》),which initiated two times'climax of responsory in the ci world during Shunzhi-Kangxi and Yongzheng-Qianlong periods.The responsory works are jointly referred to as responsory Yuefu Supplement.In addition to responding to the creation of the previous writers about five tunes and five objects,the writers in the ci world during Yongzheng-Qianlong periods adopted the same tune to express other five objects for three times,which was called imitating Yuefu Supplement.The creation of Five Pieces of Yuefu Ci Poems in the ci world during Yongzheng-Qianlong periods basically showed the theme of“living in seclusion”and“concentrating on real life”.In addition to responding to the creation of the previous writers about five tunes and five objects,the writers in the ci world during Yongzheng-Qianlong periods adopted the same tune to express other five objects for three times,which was called imitating Yuefu Supplement.The last three responsory works expressed the deeper feeling.The four times'creation of Five Pieces of Yuefu Ci Poems represented the highest level of the Zhejiang school's responsory ci Poems for expressing things.

关 键 词：《乐府补题》 拟《乐府补题》 仿《乐府补题》 “乐府五阕” 唱和 

分 类 号：I207.23[文学—中国文学]