纯诗理论源流考  

On the Origin and the Evolution of Pure Poetry

作　　者：李国辉[1] LI Guohui

机构地区：[1]台州学院人文学院,浙江临海317000

出　　处：《广东外语外贸大学学报》2020年第6期41-49,153,154,共11页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金一般项目“《风行》杂志与象征主义自由诗的发生、演变研究”(18BWW083);国家社会科学基金重大项目“十九世纪西方文学思潮研究”(15ZDB086)。

摘　　要：纯诗理论是现代文学上的一个重要理论,但是它的渊源流变问题,一直未得到国内学术界的调查。通过历史考古和综合音乐学、诗学的方法,可以发现,纯诗理论发端于十八世纪中叶,经过文艺上的唯美主义理论和纯粹音乐理论的准备阶段,纯诗最终在法国象征主义诗学那里获得成熟。象征主义诗人们在文学功能上,强调诗的美的价值,将其与真实的价值区别开来;在情感上,他们主张诗性的情感,将其与日常生活的情感区别开来;在本体论上,他们强调诗的音乐结构,但这种音乐结构并不排斥语词结构,因而诗的表意功能并未真正被抛弃。象征主义的纯诗理论在十九世纪末开始从法国向欧洲、亚洲的其他国家传播,在二十世纪二十年代前后成为一种世界性的文学观念。Pure poetry,an important theory in modern literature,has long been ignored by the Chinese academia.By adopting the historical archaeological method and the synthesis of poetics and musicology,the origin of pure poetry can be traced back to the middle of the 18th century,developed with aestheticism and the theory of pure music as the preparation and finally got matured in French symbolism poetics.Symbolism poets highlighted the value of beauty and made it distinguish from the value of truth in terms of literary function,advocated poetic emotion that was different from the one in ordinary life,and ontologically emphasized the music structure of poetry,which they believed to be in harmony with word structure and for which they did not abandon the expressional function once for all.In the late 19th century,the theory of pure poetry started to spread to many countries in Europe and Asia,and became an international literary trend during the 1920s.

关 键 词：纯诗 象征主义 诗性情感 音乐结构 

分 类 号：I109.9[文学—世界文学]