历时性维度下的古琴艺术探微  

On Guqin Art in Diachronic Dimension

作　　者：吴淑奕 金红[2] Wu Shuyi;Jin Hong(Xinglong school,Chaoyang District,Beijing,100025;School of art and design,Yunnan University Kunming,Yunnan,650091)

机构地区：[1]北京市朝阳区兴隆学校,北京100025 [2]云南大学艺术与设计学院,云南昆明650091

出　　处：《内蒙古艺术学院学报》2020年第4期105-110,共6页Journal of Inner Mongolia Arts University

基　　金：2019年度国家社科基金艺术学项目“中、缅、泰掸傣族群叙事歌比较研究”(批准号:19BD060)阶段性成果。

摘　　要：在将近三千年的历史长河里,古琴的形制、曲谱、技艺及理论都得到了长足发展,其社会功能从国家礼器和文人雅乐的转化。古琴艺术的发展与国家、民族的命运紧密相联系,社会经济文化的繁荣发展促进了古琴艺术的可持续发展。因古琴所特有的“减字谱”“打谱”特点,使古琴艺术在保持原貌的基础上给予了充足的创作空间,正是一代代琴人不断地推陈出新,使古琴艺术得到了传承与弘扬。从大历史与个体的时间维度考察古琴艺术,可以从古今之变中洞察古琴的艺术价值及未来走向。In the long history of nearly 3000 years,Guqin's form,music score,skill and theory have been greatly developed,and its social function has been transformed from national ritual utensils and literati's elegant music.The development of Guqin art is closely related to the fate of the country and the nation.The prosperity of social economy and culture promotes the sustainable development of Guqin art.Due to the unique characteristics of Guqin,such as"reducing character score"and"playing score",the art of Guqin has been given sufficient space for creation on the basis of maintaining its original appearance.It is the continuous innovation of the past generation that makes the Guqin art inherited and carried forward.From the perspective of great history and individual time,we can have an insight into the artistic value and future trend of Guqin from the changes of ancient and modern times.

关 键 词：历时性 礼乐 打谱 再创作 琴学 

分 类 号：J632.31[艺术—音乐]