由民间走向剧场的妈祖舞蹈以舞蹈--诗《妈祖》为例  

Mazu Dance from Folk to Theater--Take the Dance Poem"Mazu"as an Example

作　　者：吴小涵[1] 杨旻蔚[1] WU Xiaohan;YANG Minwei(Putian University,Putian,Fujian 351100)

机构地区：[1]莆田学院,福建莆田351100

出　　处：《妈祖文化研究》2020年第4期77-80,共4页Mazu Culture Research

基　　金：福建省社科基地重大项目“妈祖海祭音乐采集及相关活态传承研究”(课题编号:FJ2019JDZ045)阶段性研究成果。

摘　　要：2000年,南京军区前线歌舞团创作了大型舞蹈诗《妈祖》,这是一部由“妈祖”信俗文化传说改編而成的舞蹈作品。本文以该作品为例,以妈祖舞蹈从民间走入剧场的嬗变脉络为研究思路,归纳民间妈祖文化与当代剧场舞蹈艺术之间的衍生、互动与发展,阐析妈祖信仰舞蹈脱离民间信俗经济土壤、步入当代剧场经济后不同的受众定位与艺术发展规律。In 2000,the large-scale dance poem"Mazu",adapted from the legend of"Mazu"by the Frontline Song and Dance Troupe of the Nanjing Military Region,is a classic dance work derived from Mazu belief and culture.This article takes the evolution of Mazu dance from the folk to the theater as a research line of thought,and summarizes the derivation,interaction and development between folk Mazu culture and contemporary theater dance art,analyzes the different audience positioning and art development laws of Mazu belief dance after breaking away from the economic soil of folk beliefs and customs and entering the contemporary theater economy.

关 键 词：妈祖信俗 舞蹈 受众 经济土壤 

分 类 号：J705[艺术—舞蹈] B933[哲学宗教—宗教学]