李白《古风》论  

Li Bai on Ancient Airs

作　　者：马西莫·韦尔迪基奥 Massimo Verdicchio

机构地区：[1]不详

出　　处：《外国语文研究》2020年第5期12-26,共15页Foreign Language and Literature Research

摘　　要：本文对李白的《古风五十九首》进行了解读,这一重要诗歌类型的目标就是重拾从前的诗歌精神。本文之中的解读沿袭了方葆珍相关研究之中的思路,作为一位专门研究李白的学者,在《追寻谪仙》这本专门研究李白诗歌的著作中,方葆珍对这一诗歌类型有十分详尽的论述。本文则主要聚焦于这一诗歌类型的主题,尤其是其中的永生主题,同时还讨论了李白同陶渊明的关系。就此而言,李白的《古风》是其现代性的最佳体现。The paper provides a general reading of Li Bai’s 59 Gufeng(Ancient Airs)an important poetic genre which aimed at recapturing the poetic spirit of the past.My reading follows that of Paula M.Varsano a scholar of Li Bai(or Li Bo)who in her study on Li Bai’s poetry,Tracking the Banished Immortal provides a very thorough analysis of this genre.My reading focuses on the major topoi of the genre and,in particular,on the immortality topos and Li Bai’s relation to Tao Yuanming.In this respect,Li Bai’s Gufeng best characterizes his modernity.

关 键 词：李白 《古风》 陶渊明 方葆珍 寓言 现代性 

分 类 号：I207.22[文学—中国文学]