竞争生存:近代评弹艺人“走码头”的生存之道  

Survival of the Fittest:Strategys of the Traveling Pingtan Artists in the Modern World

作　　者：彭庆鸿 PENG Qinghong(School of Marxism,Zhejiang Gongshang University,Hangzhou,Zhejiang 310018)

机构地区：[1]浙江工商大学马克思主义学院,杭州310018

出　　处：《文化艺术研究》2020年第4期84-92,共9页Studies in Culture and Art

基　　金：国家社科基金重大项目“评弹历史文献资料整理与研究”(项目编号:14ZDB041);浙江省委宣传部与浙江工商大学部校共建课题“评弹与长三角一体化建设研究”的阶段性成果。

摘　　要："走码头"是评弹艺人的生存方式与生活日常。艺人"走码头"的演艺生活中,一直存在着"优胜劣汰"的市场竞争机制,艺人不仅要与周边艺人互为"敌档",展开市场竞争,还要接受听客的淘汰机制。市场竞争在给艺人的生存造成压力的同时,也促进了评弹艺人群体的分层与流动,推进了艺人群体的新陈代谢。而面对市场的竞争,各层级间的艺人根据所处的位置也采取了相应的应对策略,以保障自己的生存空间。Pingtan artists made a living by performing on tour.The pingtan market was a world where the fittest survive:the artists not only had to compete with other artists but also were screened by the audience.This mechanism exerted great pressure on the artists while helped the classification,flow,and renewal of the artists.In a highly competitive market,different artists adopted different strategies to survive.

关 键 词：评弹艺人 走码头 生存之道 市场竞争 近代 

分 类 号：J826[艺术—戏剧戏曲]