狂欢化的身体修辞——《黑豹》中的身体书写与生命政治学  

Carnivalesque Body Rhetoric:The Body-Writing and Biopolitics in Black Panther

作　　者：林伟 Lin Wei(School of Foreign Studies,Guangzhou University of Chinese Medicine,Guangzhou 510403)

机构地区：[1]广州中医药大学外国语学院,广州510403

出　　处：《文化艺术研究》2020年第4期128-134,共7页Studies in Culture and Art

摘　　要：2018年备受赞誉的美国漫威科幻电影《黑豹》实践了"非裔未来主义"的宇宙观,将光怪陆离的科技意象和非洲元素结合起来,挑战了好莱坞的经典科幻叙事。与影片打造的非洲中心主义科幻未来景观相比,更具有文化颠覆和僭越精神的,是对黑人身体的影像化再现与重述。作为美国电影中重要的文化表征,黑人身体铭刻着多种权力话语的印痕。黑人身体包含的符号化的"黑人气质"在电影《黑豹》中得以体现;并且,通过狂欢化的身体修辞,电影也体现着黑人群体身体意识的觉醒和生命政治学的诉求。Black Panther(2018),a celebrated"Afro-futurism"movie that combines technological spectacles with African culture,is a rebel among Hollywood sci-fi movies.Compared with its Afro-futurist sci-fi spectacles,What is more culturally transgressing and defiant is its visual presentation and representation of the black body.A prominent cultural indicator in American movies,the black body is engraved with a variety of power discourses.Black Panther presents the symbolized"blackness"and expresses,the awakening of the black body and the black pursuit of life politics through its carnivalesque body rhetoric.

关 键 词：身体修辞 文化僭越 权力话语 生命政治学 《黑豹》 

分 类 号：J905[艺术—电影电视艺术]