“大形”的再现——昂格尔斯城市建筑理论中的图像与图形  

Representation of Grossform: Images and Figures in O. M. Ungers’ Urban Architectural Theory

作　　者：朱昊昊[1] ZHU Haohao

机构地区：[1]东南大学建筑学院,南京210096

出　　处：《建筑学报》2020年第11期93-98,共6页Architectural Journal

基　　金：国家自然科学基金项目(51678128)。

摘　　要：图像认知作为特殊的实践模式,从"结构性"与"整体性"两方面衔接"大形"思想。论述昂格尔斯基于图像认知确立城市与日常事物之间的隐喻关系,由此进一步发展以图底关系为基础的图形方法,运用在柏林"绿色群岛"规划中,揭示图底平面图作为认知的表达方式与"大形"之间的内在联系,并通过与"拼贴城市"的比较,阐明这种图形的基本特征以及在城市研究中的价值与局限。As a special practical mode, image cognition connects the idea of Grossform in two regards: "structure" and "integrity". This paper discusses that Ungers establishes the metaphorical relationship between the city and daily things based on image cognition, and further develops a figure method based on the figure-ground relation as applied in the planning of "Green Archipelago" in Berlin. It reveals the inner connection between figure-ground plans as cognitive expression and Grossform, and through the comparison with "Collage City", clarifies the basic characteristics of this figure and its values and limitations in urban studies.

关 键 词：城市设计 城市建筑 大形 昂格尔斯 图底关系 绿色群岛 

分 类 号：TU984[建筑科学—城市规划与设计] TU-0