作为文学新人的莫言与20世纪80年代初文坛  

New Literati Mo Yan and the Literary Circles in the Early 1980s

作　　者：李彦文[1] LI Yanwen(Doctor of literature,,professor,supervisor of master candidates,School of Communication of Tianjin Foreign Studies University)

机构地区：[1]天津外国语大学国际传媒学院

出　　处：《中国政法大学学报》2020年第6期195-205,F0003,共12页Journal Of CUPL

基　　金：国家社科基金重大招标项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122)的阶段性成果。

摘　　要：20世纪80年代初,莫言尚是文学新人。他主动接受了文坛主流的召唤,在通过模仿学习创作时表现出了混杂性的文学趣味,并零星显露出包括奇幻性、第一人称叙述、动物修辞、汪洋恣肆的语言等在内的叙述腔调,由期刊编辑、名家评论、文学转载等构成的80年代初文坛的良性文学生态,促成了莫言由文学新人到青年作家的迅速转变。In the early 1980 s,Mo Yan was a new literati.He accepted the summon of the literary mainstream voluntarily.While studying to create through imitation,he showed mixed literary tastes.He revealed narrative tone sporadically including fantasy,first-person narrator,animal rhetoric and magnificent language.The benign literary ecology of the literary circles consisting of periodical editors,celebrity reviews,and literary reprints in the early 1980 s,contributed to the rapid transformation of Mo Yan from a new literati to a young writer.

关 键 词：莫言 文学新人 80年代初文坛 

分 类 号：I207.42[文学—中国文学]