中国古代拼版游戏中的平面设计原理  

The Edge of Science with the Origin of Modern Design——The Principle of Graphic Design in Ancient Chinese Jigsaw Puzzle

作　　者：喻文华[1] 行佳丽 YU Wen-hua;XING Jia-li

机构地区：[1]山西传媒学院,山西太原030013 [2]山西师范大学,山西临汾041004

出　　处：《民族艺林》2020年第3期67-74,共8页Journal of Ethnic Art

摘　　要：“打散重构(分合配搭)”是现代平面设计的原理之一,其历史传承与民间拼版游戏密不可分。清代士人童叶庚发明益智图十五巧板,并出版系列图谱书籍。十五巧板作为拼版游戏的后期代表,其去数学化特性阻碍了它在世界范围内的流通,其高度图形化的艺术语言启迪了现代艺术设计实践。通过对科学古籍的文本细读,钩沉中国造物设计原理,以衔接现代艺术设计之理论脉络。"Dispersion and Reconstruction"is one of the principles of modern graphic design,and its historical heritage in China is closely related to the folk jigsaw puzzle.The Qing Dynasty scholar Tong Xiegen invented the educational figure fifteen-piece puzzle and published a collection of illustrative plates.As the late representative of the jigsaw puzzle,its demathematicalization features hindered its circulation in the world,and its highly graphic artistic expressions enlightened the practice of modern art design.Through the careful reading of the texts of the ancient books of science,the principles of Chinese creation design are absorbed,thereby theoretical context of modern art design can be connected.

关 键 词：分合配搭 童叶庚 益智图十五巧板 去数学化 高图形化 

分 类 号：J50[艺术—艺术设计]