稻作文化飞鸟纹样的语意表达与构形衍生设计  

Semantic Expression and Derivative Design of Bird Patterns in Paddy Cultivation Culture

作　　者：章依凌 季晓芬 刘洋洋 ZHANG Yiling;JI Xiaofen;LIU Yangyang(Zhejiang Sci-Tech University,310018 Hangzhou Zhejiang;Huzhou Vocational&Technical College,313000 Huzhou Zhejiang)

机构地区：[1]浙江理工大学国际教育学院,浙江杭州310018 [2]湖州职业技术学院艺术设计学院,浙江湖州313000

出　　处：《设计艺术研究》2020年第6期71-74,118,共5页Design Research

基　　金：2020年度国家社科基金艺术学项目(20BG134);2021年度浙江省哲学社会科学规划课题(21NDJC060YB)。

摘　　要：飞鸟文化是在稻作文化中发生并不断发展的,在吴越地区具有重要的文化艺术地位。通过透析出土飞鸟纹样形态,解析吴越地区飞鸟文化内涵,提取飞鸟元素,采用形状文法创新设计飞鸟纹样,将之运用到女性针织外套设计中。旨在为针织设计提供新思路,为地区传统文化与现代服饰相结合提供新的理论与实践参考。The bird culture,which has an important cultural and artistic status in WuYue areas,was developed in paddy cultivation culture.The paper studies the cultural connotation of the bird totem in WuYue areas through the analysis of the bird patterns on the archeological objects.The bird elements and bird shape patterns are applied to women's knitting clothing design.It aims to provide new ideas for knitting design and provide new theoretical and practical references for the combination of regional traditional culture and modern clothing.

关 键 词：飞鸟纹样 形状文法 吴越文化 针织设计 

分 类 号：J5[艺术—艺术设计]