论日本古代歌垣的文学化进程  

On the Liberalization of Kagaki in Ancient Japan

作　　者：王贤玉[1] WANG Xian-yu(Anshun University,Anshun 561000,China)

机构地区：[1]安顺学院,贵州安顺561000

出　　处：《哈尔滨学院学报》2020年第12期111-114,共4页Journal of Harbin University

基　　金：2018年贵州省教育厅高校人文社会科学研究青年项目,项目编号:2018qn34。

摘　　要：与中国南方少数民族对歌活动高度相似的日本古代歌垣活动的实体早已消失于历史长河,但歌垣中的对歌却通过文学化的发展过程,演变为和歌这一日本最为重要的古典文学体裁,从而得以流传并发扬。文章通过考察8世纪前后日本的诸多典籍,发现歌垣从婚姻契约功能逐渐转变成歌人表现自我的文学手段,进而探讨促成其转变的社会背景。Kagaki of ancient Japan,which is highly similar to the songs competition of minorities in southern China,already disappeared in the long historical river.However,the competition songs in Kagaki have developed into a classic literary genre through the process of literalization,which have been wide spread and learned.By reviewing many works during 8 centry Japan,it is discovered that the function of these songs changed from marriage contract to a literary means of self-expression,which aroused the interest to discuss the social background for this change.

关 键 词：歌垣 对歌 文学 

分 类 号：I313.06[文学—其他各国文学]