彼得·汉德克《无欲的悲歌》女性形象的研究  

A Study of the Female Images in Peter Handke’s Wunschloses Unglück

作　　者：汪洋雪芬 凌晨[1] WANG Yangxuefen;Ling Chen(College of Literature,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学文学院,安徽合肥230601

出　　处：《宿州学院学报》2020年第11期49-53,84,共6页Journal of Suzhou University

摘　　要：20世纪70年代,彼得·汉德克在他的文学创作中塑造了众多女性形象,其中最具真实性和矛盾性的当属《无欲的悲歌》中的母亲。从女性主义研究视角分析该女性形象,对母亲形象本身和他者构建分别进行论证,对作品中女性形象形成了较完整的认识。最后,指出其形象的文学价值、美学价值和思想价值,反思女性个人欲望的消失和导致悲剧命运的原因,进而引发对女性生存现状的思考和对女性生命价值的追问,为汉德克研究和女性主义研究贡献微薄之力。In the 1970 s,Peter Handke created many female images in his literary creation,the most authentic and contradictory of which was the mother in Wunschloses Unglück. This paper analyzed the female image from the perspective of Feminist Studies,demonstrated the mother image itself and the construction of others,and formed a more complete understanding of the female image in the works. Finally,it pointed out the literary value,aesthetic value and ideological value of its image,reflected on the disappearance of women’s individual desire and the causes leading to the tragic fate,which lead to the reflection on the status quo of women’ s survival and the questioning of the value of women’s life,a small contribution to the Handke and feminist studies.

关 键 词：彼得·汉德克 《无欲的悲歌》 女性主义 人物形象 他者化叙述 

分 类 号：I521.06[文学—其他各国文学]