欲望狂欢与党派脱冕——论《都市女继承者》中的狂欢化世界感受  

Desire Carnival and Party Degradation:On the Carnival World Experience in The City Heiress

作　　者：郑伟[1] 方冶文 ZHENG Wei;FANG Ye-wen(Kaili University,Kaili,Guizhou,556011,China;Beijing Foreign Studies University,Beijing,100089,China)

机构地区：[1]凯里学院人文学院,贵州凯里556011 [2]北京外国语大学中国语言文学学院,北京100089

出　　处：《凯里学院学报》2020年第5期74-80,共7页Journal of Kaili University

摘　　要：《都市女继承者》是英国历史上第一位职业女性作家阿芙拉·贝恩在1682年创作的一部票房上相当成功的政治喜剧。该剧围绕着托利党浪荡子威尔第与辉格党徒提摩太之间在女人以及财产上的争夺展开。剧中女性大胆地表达自己的欲望,从而进行了新的性别表演。处于党派纷争中的两党成员均被脱冕,实现了政治狂欢化书写。阿芙拉·贝恩运用狂欢化世界感受在其中夹带女性主义思想,让表面情节之下隐藏的反传统女性思想得以在剧场中的女性观众头脑中留下印象。The City Heiress was a very successful political comedy created in 1682 by Aphra Baine,the first professional female writer in British history,which narrated the struggle between Wilding from the Tory Party and Timothy from the Whig Party rivaling women and property.The females boldly expressed their desires in the play with new gender performances.The members of the two parties in the dispute were degraded and the political carnivalization writing was achieved.Aphra Bain used the carnival world to reflect the feminist thoughts and individual thoughts so that the anti-traditional feminine thoughts hidden under the surface plot made an impression on the female audience in the theater.

关 键 词：《都市女继承者》 欲望狂欢 性别表演 党派脱冕 政治狂欢化 

分 类 号：I561.073[文学—其他各国文学]